By Jake Coyle | Associated Press
NEW YORK — “Venom: The Last Dance” has been no blockbuster in North American theaters. But in a lethargic fall moviegoing season, even a so-so performing superhero sequel can rule the box office for three straight weeks.
For the third weekend in a row, “Venom: The Last Dance” was the No. 1 movie at the box office, collecting $16.2 million in ticket sales in U.S. and Canadian theaters, according to studio estimates Sunday. It fended off a pair of new challengers in the Hugh Grant horror thriller “Heretic” and the feel-good holiday movie “The Best Christmas Pageant Ever.”
With the election on Tuesday, the major studios opted not to put any new releases into theaters. That allowed Sony Pictures’ “Venom: The Last Dance,” the third entry in the Tom Hardy-led franchise, to hold its position.
While “The Last Dance” hasn’t been a huge hit domestically — opening below expectations in late October — it has thrived overseas, grossing almost triple what it has in North America. The “Venom” sequel has grossed $279.4 million internationally, bringing its global total to $394.2 million.
“Heretic” and “The Best Christmas Pageant Ever” were neck and neck for second place. Counting only Friday-Sunday ticket sales, the edge went to “Heretic,” which debuted with $11 million. “The Best Christmas Pageant Ever,” though, factored in $2.2 million in sneak-peak screenings from last weekend to claim a reported opening gross of $11.1 million.
A24’s “Heretic,” directed by Scott Beck and Bryan Woods, follows two Mormon missionaries (Sophie Thatcher and Chloe East) who knock on the door of a man (Grant) they’ll regret trying to evangelize to. Though “Heretic” has been critically acclaimed for the darkest turn yet by Grant, audiences were less impressed, giving it a “C+” CinemaScore. Regardless, with a budget under $10 million, “Heretic” will easily turn a profit.
“The Best Christmas Pageant Ever,” released by Lionsgate and Kingdom Story Company, which specializes in Christian entertainment, is about six siblings with a bad reputation who take over the local church pageant. The film, an adaptation of Barbara Robinson’s 1972 children’s book directed by Dallas Jenkins, did well with audiences, who gave it a “A” CinemaScore. It, too, was modestly budgeted at about $10 million.
In its seventh week of release, Universal and DreamWorks Animation’s “The Wild Robot” continues to show little rust in theaters. It landed in fourth place with $6.6 million, bringing its domestic haul to $130.2 million and its worldwide gross to $292 million.
Sean Baker’s acclaimed “Anora,” starring Mikey Madison as a Brooklyn sex worker, expanded into wide release. The Neon film, an expected best-picture contender, collected $2.4 million in 1,104 theaters. Its four-week total stands at $7.2 million.
The papal thriller “Conclave,” starring Ralph Fiennes, continues to perform exceptionally well for an adult-oriented drama. The Focus Features release, in its third weekend of release, added 487 theaters and dipped a modest 19% to earn $4.1 million. It has collected $21.5 million. Similarly, A24’s “We Live in Time,” starring …read more
Source:: The Mercury News – Entertainment
